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1992年出生於臺灣，現在生活與工作於臺北
Taiwan / b. 1992 / lives and works in Taipei
謝佑承的專長為複合媒體及空間裝置，其創作擅長製造臨場的觀察誤區，關注影像、機器和錯覺現象之間異動的主體性，進而對應至人與世界的認識經驗與存在關係。
Specialized in mixed media and spatial installations, the artist often creates skillfully on-site optical illusions to explore the floating subjectivity among image, machine and illusional phenomena, in the hope to reflect upon by correspondence the relationship between empirical world and existential state of human beings.
展場中看似發光的屏幕，《校準：藍幕》以螢光漆模擬投影機的失訊影像，製造因物件遮擋而投影在牆上的輪廓與陰影，辯證實體與存在的對位關係。《像素與星叢》以無數螢光三色RGB 光點，點描數位影像屏幕中「趨近白色」的身體。
The sun goes down and all sorts of shimmering lights linger at night. The bustling highway traffic and bright, deep street light, seen from far, have turned into dispersed dim lights and a star cluster, both of which constitute the modern urban life. The flow of time is cut into static frames of fragmented images, which are played in sequence to create a visual illusion of reality. Nowadays, a great amount of images of super verisimilitude, through all sorts of interfaces, have invaded us. At the moment when everyone is forced to regain the life of solitude, all left in front of us are the glowing screens and images. In the beginning, it might start from a collision of sparkles from which light stretches out by spots as a line expanding into a surface, by which time and civilization are thus constituted.
The seemingly glowing screens can be seen in the exhibition room. In Calibrate : Blue Screen, the artist uses fluorescent paint to simulate the projector's missing image, in order to create, by obstructed objects, contours and shadows projected on the wall. In so doing, the artist tries to see dialectically the relationship of counterpoint between substance and existence. In Pixel and Star Cluster, the artist employs countless fluorescent spots of RGB lights, in order to depict by pointillism the body“close to white”on the digital image screen.