The artist conceives the work from the media he employed and constructs a catalogue well classified like that in a building materials company. Instead of the conventional sizes and names of the materials, it contains all sorts of sounds. Users draw, extract and select each item on the interface, as if they were part of an artist’s material selection for an unborn creation. The media in the catalogue are not separate, independent parts, but more like a clump, waiting eagerly to be captured and for a future touch in a digital beyond.
