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  • 時永駿
  • Yung-Chun SHIH

  • 1978年出生於臺灣，現在生活與工作於臺北

    Taiwan / b. 1978 / lives and works in Taipei 


    創作類型涵蓋繪畫、雕塑、裝置、攝影與文字，以探討日常生活的私人經驗及人類行為作為主軸，作品形式大多以電影與戲劇的拍攝手法進行前置作業，近年來多以計畫型展演發表。


    Mainly engaged in painting, sculpture, installation, photography and writing, the artist explores private experiences in daily life and human behaviors as the major axis. A photographing technique of films and dramas as a preparatory process is employed in most of his works. In recent years, he has published his creation in project-based performances.

  • 家庭劇院 Home Theater
  • 2020｜互動響應式網頁（interactive and responsive web page）
  • 居家裡的「風景」令人感到神秘，它們成形的方式相當微妙，除了因實用性而存在，也為了裝飾目的，以及一些因個人喜好而產生的無以名狀、難以歸類的陳列方式，未曾有什麼道理可言。最近「居家隔離」或是「避免群聚」變得非常普遍，人們待在家裡的時間變長了，日常物件突然之間變得更貼近我們。在《家庭劇院》裡，日常物件與人的角色關係切換了原本的對應關係；從原來的理所當然，轉而串連起好幾幕日常故事：櫃子裡、沙發上、冰箱裡、通往二樓的樓梯轉角處。在我們避免戶外接觸的同時，無意之間卻在私有的居家室內拉近了距離，原本存於日常中的微小，在此刻被放大，就在離我們很近的眼前，隨手可得。

    Mysteriously formed with subtlety, the household“landscape”has never been justified, except for the purposes of both utility and decoration, and for personal tastes of arrangement, inexplicable and difficult to categorize. Recently,“household isolation”or“gathering ban”has become common to all. We stay longer at home and, all of a sudden, the daily objects are getting closer to us. In Home Theater, the relationship or correspondence between daily objects and human beings has been changed. Several snapshots of the daily are connected out of a matter of course: in the closet, on the sofa, in the refrigerator, on the corner of the stairs to the second floor. Avoiding outdoor contacts, we inadvertently shorten the distance inside the private residence. The quotidian tininess, thus magnified at this moment, is right in front of our eyes, within reach.