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看見不是必然，需要「他人」不約而同的偶遇。
＊作品於兩人同時上線時，才會呈現。
Seeing is not inevitable and requires "the other" for an encounter by chance.
*The work will be seen only with two visitors on line at the same time.
＊作品於兩人同時上線時，才會呈現。
*The work will be seen only with two visitors on line at the same time.
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  • 李明學
  • James Ming-Hsueh LEE

  • 1978年出生於臺灣，現在生活與工作於臺北

    Taiwan / b. 1978 / lives and works in Taipei 


    李明學反轉生活周遭物件的使用方式，轉換其外觀造型或被觀看的角度，在探索當代藝術的可能性上，創造出輕盈的另類解讀。他以幽默的手法，重新檢視媒體、教育與社會框架下，對各種事物／物件的慣性理解。


    His work often spotlights on the objects found in all sorts of stores. With a penetrating sense of humor, he reexamines and challenges the conventional understanding of ‘things’ indoctrinated by the media, education and society. Through reversing the concept of objects--correct usage, appearance or human perception, the artist is able to offer refreshing and amusing interpretations so as to explore other possibilities of contemporary art.

  • 遙望的空洞 Distant Hollow
  • 2020｜互動響應式網頁（interactive and responsive web page）
  • 人們總傾向相信「呈現」所帶來的一切，無論是透過視覺上所謂的「有圖有真相」，或是任何有形的證據紀錄，都是「眼見為憑」所衍生出的意識形態。講究科學邏輯的「呈現」，攻佔了人們大部分的生活，然而，作為「呈現」反面的「缺席」所連繫的無形情感，抑或是稍縱即逝的無法描述，卻成了一個難以遙望的空洞。令人感到可怕的是，這種空洞並非不存在，而是人們的視而不見。

    As always, people are inclined to believe what the“presentation”brings about, whether by visual effects, as the saying goes —“Pictures don't lie,”or by recorded evidence of any physical form: each bears an ideology derived from“To see is to believe.”The“presentation”with a meticulous logic of science has invaded most people's lives, and yet, in contrast to the“presentation,”the“absence”connect ed to invisible emotions or fleeting descriptions beyond words becomes a distant hollow hard to glance over. It is frightening that the hollow is not non-existential, but people chose to ignore it deliberately.